Posts Tagged ‘Fashion’

RAW: NATURAL BORN ARTISTS

 WHEN Thursday, July 28, 2011 @ 8:00PM
 WHERE La Pomme | 37 West 26th Street | New York City, NY 10010-1025
 DETAILS 21+ event. Cocktail attire. Tickets are $10 via presale.

 

WHAT IS RAW?

RAW: natural born artists is an independent arts organization that hand-selects and spotlights independent creatives in visual art, film, fashion, music, hair & makeup artistry, photography, models and performing art.

RAW’s mission is to provide up-and-coming artists of all creative realms with the tools, resources and exposure needed to inspire and cultivate creativity so that they might be seen, heard and loved. RAW educates, connects and exposes emerging artists in 22 artistic communities nationwide through monthly showcase events. Join us in celebrating the work of these artists.

WHAT CAN I EXPECT?

RAW events are multi-faceted artistic showcases. Each event features a film screening, musical performance, fashion show, art gallery, performance art and a featured hairstylist and makeup artist. These artists are all local, hand-picked talent who have been chosen to feature at RAW. 

RAW events feature a cash bar for cocktails while you enjoy the night. Dress code is cocktail attire, so dress the occasion and get ready for an artistic circus of creativity!

PICK UP A TICKET HERE

Be Sociable, Share!

    06

    07 2011

    ALEXANDER McQUEEN: SAVAGE BEAUTY

    The Metropolitan Museum of Art – Now Until August 7, 2011

    I think the title “Savage Beauty” very much epitomizes the contrasting opposites in McQueen’s work. As you enter the exhibition, you’re faced with two mannequins—the two mannequins that I think represent many of the themes and ideas that McQueen revisited throughout his career: polarized opposites, whether it’s to do with life or death, lightness or darkness, predator/prey, man/machine…. Read More (Andrew Bolton, curator of Alexander McQueen: Savage Beauty)

    About the Exhibition:

    The exhibition, organized by The Costume Institute, celebrates the late Alexander McQueen’s extraordinary contributions to fashion. From his Central Saint Martins postgraduate collection of 1992 to his final runway presentation, which took place after his death in February 2010, Mr. McQueen challenged and expanded the understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity. His iconic designs constitute the work of an artist whose medium of expression was fashion. The exhibition features approximately one hundred ensembles and seventy accessories from Mr. McQueen’s prolific nineteen-year career. Drawn primarily from the Alexander McQueen Archive in London, with some pieces from the Givenchy Archive in Paris as well as private collections, signature designs including the “bumster” trouser, the kimono jacket, and the three-point “origami” frock coat are on view. McQueen’s fashions often referenced the exaggerated silhouettes of the 1860s, 1880s, 1890s, and 1950s, but his technical ingenuity always imbued his designs with an innovative sensibility that kept him at the vanguard.

    The exhibition is organized by Andrew Bolton, curator, with the support of Harold Koda, curator in charge, both of The Costume Institute. Sam Gainsbury and Joseph Bennett, the production designers for Alexander McQueen’s fashion shows, served as the exhibition’s creative director and production designer, respectively. All head treatments and masks are designed by Guido.

    Located in the Iris and B. Gerald Cantor Exhibition Hall, second floor, the exhibition is free with Museum admission. See Plan Your Visit for Museum hours, directions, and admission information.

    The Romantic Mind

    “You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition.”
    —Alexander McQueen

    McQueen doggedly promoted freedom of thought and expression and championed the authority of the imagination. In so doing, he was an exemplar of the Romantic individual, the hero-artist who staunchly follows the dictates of his inspiration. “What I am trying to bring to fashion is a sort of originality,” he said. McQueen expressed this originality most fundamentally through his methods of cutting and construction, which were both innovative and revolutionary. This technical ingenuity was apparent as early as his graduation collection from the Fashion Design MA course at Central Saint Martins College of Art and Design in London. Entitled Jack the Ripper Stalks His Victims (1992), it introduced such iconic designs as the three-point “origami” frockcoat. In his first collection after graduating, entitled Taxi Driver (autumn/winter 1993–94), McQueen launched his “bumsters,” pants that sat so low on the hips that they revealed the buttocks. Indeed, McQueen was such a confident designer that his forms and silhouettes, such as the “bumster,” were established from his earliest collections and remained relatively consistent throughout his career. Referring to his early training on Savile Row in London, he said, “Everything I do is based on tailoring.” McQueen’s approach to fashion, however, combined the precision and traditions of tailoring and patternmaking with the spontaneity and improvisations of draping and dressmaking—an approach that became more refined after his tenure as creative director of Givenchy in Paris from 1996 to 2001. It is this approach, at once rigorous and impulsive, disciplined and unconstrained, that underlies McQueen’s singularity and inimitability.

    Be Sociable, Share!

      29

      06 2011

      If you love FASHION, see it presented as MODERN BALLET! If you love CONTEMPORARY DANCE, see it on a FASHION RUNWAY!

      REBECCA KELLY BALLET invites you to its Design-into-Dance party in its SoHo Studio.

      Meet our choreographer, hot dancers, talented designers, artists and fellow dance aficionados! Enjoy wine and refreshments, tap your dancing feet to a Euro beat! Test your fitness walking up 4 flights to see a genuine Soho-Boho loft!

      WHEN:  Thursday March 10, 7-9pm

      WHERE: 579 Broadway (between Prince & Houston) – 4th floor.  Subways R – W – B – D – F and No.6

      HOW: Advance credit card tickets 212-431-8489, $30/person, $50/pair; $35 at door if any.

      CONTACT:  Craig Brashear:  212-431-8489

      for more information, visit RKB: Performance

      Be Sociable, Share!

        14

        02 2011

        Falling Star Necklace from All The Rage will Light Up Any Outfit

        Falling Star Necklace - Click Here to Shop

         
      • These falling stars are a fun accent to any outfit.
      • Gold plated multi star neck on a matching gold plated chain.
      • Approx. 12″ length w/2″ extension chain.
      • Be Sociable, Share!

          07

          12 2009

          CFDA Finale

          Women’s Designer of the Year: Rodarte.

          The rest is here:
          CFDA Finale

          Be Sociable, Share!

            16

            06 2009

            CFDA: ‘One Outfit at a Time’ (zzzzz)

            Oh, hello. Back for the Swarovski young designer awards.

            The rest is here:
            CFDA: ‘One Outfit at a Time’ (zzzzz)

            Be Sociable, Share!

              16

              06 2009

              And The Winners Are…

              For accessories: Proenza Schouler. The first Popular Vote Award: Ralph Lauren (in tuxedo jacket and jeans). Men’s wear designer: Scott Sternberg and Italo Zucchelli, a tie

              Originally posted here:
              And the Winners Are…

              Be Sociable, Share!

                16

                06 2009

                At The CFDA Awards

                Marc Jacobs and his business partner Robert Duffy are sitting in the row in front of me, with folks from Vogue in front of them. Tracey Ullman has just come on the stage, saluting Diane Von Furstenberg and Michelle Obama.

                Read the original post:
                At the CFDA Awards

                Be Sociable, Share!

                  16

                  06 2009

                  Why Round Sunglasses? A Style Investigation

                  Suddenly round sunglasses are the look of the summer…

                  See the original post:
                  Why Round Sunglasses? A Style Investigation

                  Be Sociable, Share!

                    11

                    06 2009

                    Look Who’s Shopping Goodwill

                    Many Goodwill stores are courting the shoppers who scour high-end resale shops and department store sales racks for bargains.

                    See the original post here:
                    Look Who’s Shopping Goodwill

                    Be Sociable, Share!

                      10

                      06 2009

                      Your Invitation Is Not in the Mail

                      In Washington, the same week Barack Obama took office, a young staff member for Secretary of State Condoleezza Rice enlisted Paperless Post, a new online stationery service, to help put together a going-away party for her boss.

                      The interactive correspondence “was all anybody wanted to talk about,” said Sarah Lenti, who went on to work for Mitt Romney — the way the hyperreal envelope with the invitee’s name appears on the computer, how it reverses to the sender’s on the back, and then the pièce de résistance invitation pops out, so detailed you can see the paper’s grain. How intuitive it was to click on the RSVP and fill out the reply card. Zac Posen had used it for a benefit, as had some Diane Von Furstenberg folks, and the Young Friends of the Elie Wiesel Foundation were about to try it.

                      Paperless Post, which is in New York, is a venture of Alexa Hirschfeld, 25, and her brother James, 23. It enables users to design, send and track e-vites and other social summonses on the Web while maintaining easy correctness and a life’s-a-party air reminiscent of old-fashioned mailings. The siblings have handled 60,000 invitations since January, and 150,000 since their membership-based operations began last fall.

                      “The Internet has been a kind of vacuum in terms of aesthetics,” Ms. Hirschfeld said. “We wanted to leverage functionality with design.” So many people, she added, had gotten bored with such easy-virtue social tools as Facebook or Evite. The recession-related closing of Madison Avenue stationer Mrs. John L. Strong last month further suggests to the Hirschfelds that their customer base will expand.

                      The economic climate “definitely put the wind in our sails,” Mr. Hirschfeld said. “People say they would rather save $2,000 by not getting printed invitations, and invite four more friends to their wedding.” The fee structure for Paperless Post works on a sliding scale with the purchase of virtual stamps bearing the company’s carrier-pigeon logo, starting at $5 for 60 e-mailings.

                      The Hirschfelds are operating in a clutch of pods surrounded by lipstick samplers in space subleased from the French cosmetics company Bourjois, on Fifth Avenue near 17th Street. A business plan and a financial model outlining the dent they believe they can make in the $11 billion made-to-order stationery market provided them with their first round of financing (almost $1 million) from a group that includes Mousse Partners, an investment firm. Ms. Hirschfeld had been working at CBS News for Katie Couric but quit, “because I was interested in this more powerful platform,” she said.

                      They decided against on-site advertising, which would be like “getting a flyer inside a wedding invitation,” Mr. Hirschfeld said.

                      Still, Pamela Fiori, the editor in chief of Town & Country, does not approve. “In a world increasingly uncivilized,” she said, “it’s important that we have some ties to tradition. And I honestly think that what we’re losing with e-mail are our memories.”

                      Some older users print their Paperless Post missives, Ms. Hirschfeld said, but “for most it’s about the beauty, not holding a piece of paper in your hand.”

                      The practically size-zero carbon footprint is an added attraction. “It’s completely green,” said Celine Kaplan, spokeswoman for Eres, who has orchestrated fashion debuts with Paperless Post.

                      The Hirschfelds have added letterhead templates alongside the more personal alternatives, and have steadily accumulated concept categories, fonts, motifs, border patterns, paper colors, sizes, stock and textures. They browse notions emporiums in the garment district for decorations. They work with a designer, a stylist and a photographer to create their prototypes, and work with their technology brainiacs on the Web site, which also provides hosts with a RSVP tracking system and the ability to sell and buy tickets to events.

                      “We basically digested Crane’s Blue Book of Etiquette and Emily Post,” Ms. Hirschfeld said, for the application that generates wording choices. Mr. Hirschfeld’s first design, dark red with a border of zebras, was inspired by the wallpaper at the restaurant Gino on the Upper East Side.

                      Vanessa Bain, a vice president at an equity fund in New York, is using Paperless Post for her Bermuda wedding, and she said the beach motif the Web site produced will resurface on the paper invitations to the ceremony itself. “The ordering took an hour online rather than having to meet in a store, and then wait two and a half weeks for printed invitations,” she said, “and I have friends and relatives in places like Brazil, who will get what I e-mail almost the instant I send it.”

                      Here is the original post:
                      Your Invitation Is Not in the Mail

                      Be Sociable, Share!

                        10

                        06 2009

                        Versace Names Ferraris as Chief Executive

                        MILAN — The Italian fashion designer Gianni Versace named Gian Giacomo Ferraris as chief executive on Tuesday. He will succeed Giancarlo Di Risio, who is stepping down over differences about the company’s direction.

                        Mr. Ferraris, who has worked in the luxury sector for 20 years, has been chief executive since 2004 of the Jil Sander Group and was previously managing director of the RTW division of the Gucci Group, Versace said in a statement.

                        Read more from the original source:
                        Versace Names Ferraris as Chief Executive

                        Be Sociable, Share!

                          09

                          06 2009

                          Not Another Fashion Magazine, Seriously

                          The magazine TIWIMUTA (This Is What It Made Us Think About) feels strangely of the moment.

                          Go here to see the original:
                          Not Another Fashion Magazine, Seriously

                          Be Sociable, Share!

                            08

                            06 2009