The Museum at the Fashion Institute of Technology presents Impact: Fifty Years of the CFDA, the first museum exhibition to celebrate the Council of Fashion Designers of America, the leading fashion trade organization in the United States. Approximately 100 garments and accessories designed by the CFDA’s most impactful creators of the last 50 years will be on view from February 10 through April 20, 2012.

Also included in the exhibition will be visual images and acknowledgement of the nearly 600 designers who have been members over the last five decades. Each living designer selected to participate in the exhibition will select a single object or ensemble that best represents his or her impact on the fashion world. Work by historical CFDA members will be selected by exhibition curators Patricia Mears, deputy director of The Museum at FIT, and Fred Dennis, the museum’s senior curator. Impact: Fifty Years of the CFDA is a collaborative partnership between The Museum at FIT and the CFDA.

Conceived by CFDA President Diane von Furstenberg, Impact will be an ode to the illustrious designs of the CFDA’s many members and will mark the organization’s 50th anniversary in 2012.

Among the designers included in the exhibition will be Halston, Norman Norell, Pauline Trigère, Geoffrey Beene, Bill Blass, Rudi Gernreich, Bob Mackie, James Galanos, Diane von Furstenberg, Oscar de la Renta, Marc Jacobs, Donna Karan, Ralph Lauren, Calvin Klein, Tom Ford, Michael Kors, Isabel Toledo, Rodarte, and Proenza Schouler. The exhibition will be organized thematically to illuminate the broad spectrum of American creativity, from functional sportswear to couture-quality evening wear.

Founded in 1962 by publicist Eleanor Lambert and 50 of America’s leading fashion designers, the CFDA’s primary mandate was the recognition and promotion of fashion design talent based in the United States. Over the next five decades, as CFDA membership swelled to more than 400, its professional and philanthropic activities, outreach, and influence expanded exponentially. Today, in an era dominated by the designer label, it is perhaps difficult to comprehend how seminal a role the CFDA played in creating the platform for the recognition of individual creative talents in New York City, the nexus of global fashion.

“American designers have always had impact on how people dress,” said von Furstenberg. “In honor of that creativity and in celebration of the CFDA’s 50th anniversary, we are proud to present, in partnership with The Museum at FIT, an exhibit that represents the tremendous work of our members for the last five decades. ‘Impact’ was the one word that came to mind immediately—it is so strong and defining of our individual and collective influence that we knew right away that our exhibit would be called Impact: 50 Years of the CFDA.”

“The Museum at FIT is extremely pleased to be collaborating with Diane von Furstenberg and the CFDA on the exhibition Impact,” said Valerie Steele, museum director. “Exhibition curator Patricia Mears is an authority on American fashion both past and present, and I’m sure our visitors will love to see which creations today’s designers have selected.”

A publication also entitled Impact, produced by the CFDA and published by Abrams, will be the visually rich companion book to the exhibition. With more than 500 photographs, the book will document the evolution of the CFDA, from its birth in 1962, its early promotional efforts, and its strong ties to the arts, to the growth of its educational programs, its support of worthy causes, its own awards ceremony, its stewardship of fashion week, and its support of designers. Contributors include Diane von Furstenberg; Cathy Horyn, fashion journalist for the New York Times; and Patricia Mears.

The Council of Fashion Designers of America, Inc, (CFDA) is a not-for-profit trade association founded in 1962 that leads industry-wide initiatives and whose membership consists of more than 400 of America’s foremost women’s wear, menswear, jewelry, and accessory designers.

The Museum at FIT is the only museum in New York City dedicated solely to the art of fashion. Best known for its innovative and award-winning exhibitions, which the New York Times has described as “ravishing,” the museum has a collection of more than 50,000 garments and accessories dating from the 18th century to the present.

The museum is part of the Fashion Institute of Technology (FIT), a college of art and design, business and technology that educates more than 10,000 students annually. FIT is a college of the State University of New York (SUNY) and offers more than 46 majors leading to the AAS, BFA, BS, MA, MFA, and MPS degrees. Visit www.fitnyc.edu.

The Couture Council is a membership group of fashion enthusiasts that helps support the exhibitions and programs of The Museum at FIT. The Couture Council Award for Artistry of Fashion is given to a selected designer at a benefit luncheon held every September.

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The rest is here:
CFDA Finale

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The rest is here:
CFDA: ‘One Outfit at a Time’ (zzzzz)

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Originally posted here:
And the Winners Are…

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See original here:
Front Row: Resort Wear Never Rests

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First of all, this was the graduating seniors’ evening, the celebratory end to assignments and demanding teachers. There was a runway show, and at the end of the evening the outstanding seniors were announced in three categories: Anika Gupta and Azumi Nishizawa for children’s wear, Edward Lorenz Tan for men’s design, and Julia Blum and Robert Fitzsimmons for women’s. I thought Fitzsimmons’ designs indicated someone with a pretty good eye and also a sense of restraint. The clothes were edgy by virtue being colorful, unextravagant and comfortable.

Students have been part of this blog since it began, so I was flattered to receive the Parsons award, which was presented by seniors Bessie Afnaim and Jonathan Cohen. Of course this is a difficult time to be starting a career in fashion and retail, but there’s nothing these kids can do about the problems so they might as well not worry about them too much. Just think about it as a different time, that’s all. Another thing I said to them was to perfect their craft. After months of hearing this kind of stuff from their teachers they probably don’t want to hear it anymore.

But if there’s one thing right now I’d want to be tough-minded and disciplined about it is the craft of making clothes. I’d want to know everything I could—even if the application of the knowledge wasn’t immediately apparent. Or the job you get doesn’t ask for much. My guess is the cost of clothing and the world-wide recession are going to put quality under increasing pressure. We’re going to see manufacturers cutting all kinds of corners to maintain their margins or just stay in business. But, if you’re vaguely serious about design, this doesn’t mean you shouldn’t equip yourself with as much knowledge about technique as you can. Because at some point it WILL be useful, not only to you but to someone else. Aside from the fact that the mastery of one technique inevitably leads to the mastery and use of another, I think this approach to the high calling of being a fashion designer will liberate you from having to do a lot of stupid stuff.

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The Graduation Season

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